The lovely folks at the label have just released my EP as part of their Winter Batch of cassette releases. It can also be found at all the usual stream sites, such as Spotify below.

I have put this new EP out under a new alias, Open Spaces. Both this work and future works under this alias will be used to explore the realms of 360 audio. This EP was largely written as part of my Masters research into 360 audio techniques such as binaural recording and ambisonic spatialisation software, such as the open source freeware from Envelop.

A big thanks to Steven Ramsey and the rest of the Constellation Tatsu folks for believing in this record.

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As part of my masters, in particular a module entitled, AUD456 – Immersive Audio, I have been studying the world of 360 content, with a focus on spatialising audio within a 360 field. Please wear headphones when viewing the above to experience the 360 Audio.

For the major work, a group of musicians and non-musicians alike were invited into SAE Studios for an Sunday afternoon improvisation. The work is titled, Men’s Circle, and features a group of men in a circular format, playing a range of provided instruments.

The instruments included; an acoustic guitar, various bells, a singing bowl, a bamboo flute, a melodic wood box, a pre-prepared Push control surface populated with field recordings, vinyl crackle and percussive one-shots, amplified via a small guitar amp, a contact microphone connected to a mini Orange amp, den-den daiko drums, and a rain stick. The participants were encouraged to choose an instrument that they felt comfortable with and change after each improvisation to another instrument.

The improvisation was captured via an InstaPro 360 Camera. Both visuals and audio were captured on the device, however, the Ambisonics microphone had some issues and glitches were present in the file. Fortunately, coupled with the in-camera Ambisonics microphone, was 4 small diaphragm condensers, Sennheiser 8040 x 2, Rodes NT55 x 2, plus 3 dynamic microphones that were used to capture a vocal performance (Shure SM58) and close mic the two amplifiers (SM57).

These microphone inputs were phase balanced and recorded to Pro Tools. The mono signals from the close micing were then spatialised using the free FB360 Workstation plugins with the DAW Reaper.

As the sounds were close mic’d, Ambi Verb HD from Noise Makers was also used to emulate a sense of the space and at points to embellish instruments such as the flute and voice with a large reverb.

To embellish the work and in order to see how Reaper and the FB 360 workstation handled Ambisonic files, some 2^nd Order Ambisonic files were created using Sound Particles. The files are of an ambient nature and are only very subtly mixed in toward the end of the improvisation. The agenda was to not detract from the improvisation.

Hoped that you enjoy the improvisation and it’s presentation in both 360 Audio and Vision.

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