<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>LeStrange Archives - chrishancock.network</title>
	<atom:link href="https://chrishancock.network/tag/lestrange/feed/" rel="self" type="application/rss+xml" />
	<link>https://chrishancock.network/tag/lestrange/</link>
	<description></description>
	<lastBuildDate>Mon, 09 May 2022 06:51:51 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.8</generator>
	<item>
		<title>Mastering new EP by LeStrange for Germany Techno imprint Black Snake Recordings</title>
		<link>https://chrishancock.network/2020/09/21/nainiouman-dominion-2/</link>
		
		<dc:creator><![CDATA[chnetwork]]></dc:creator>
		<pubDate>Mon, 21 Sep 2020 03:03:32 +0000</pubDate>
				<category><![CDATA[academic]]></category>
		<category><![CDATA[news]]></category>
		<category><![CDATA[recording mixing mastering]]></category>
		<category><![CDATA[sounds]]></category>
		<category><![CDATA[Black Snake Recordings]]></category>
		<category><![CDATA[Chris Hancock]]></category>
		<category><![CDATA[LeStrange]]></category>
		<category><![CDATA[mastering]]></category>
		<category><![CDATA[Techno]]></category>
		<guid isPermaLink="false">http://www.chrishancock.network/?p=1690</guid>

					<description><![CDATA[<p>Recently I mastered the new EP, Drench for rising Australian Techno producer Lyndsay LeStrange. The three track EP is released by German label, Black Snake Recordings, and was an interesting mastering job from a loudness perspective. Despite many articles about the end of the loudness wars, many artist and labels are still requiring masters that [&#8230;]</p>
<p>The post <a href="https://chrishancock.network/2020/09/21/nainiouman-dominion-2/">Mastering new EP by LeStrange for Germany Techno imprint Black Snake Recordings</a> appeared first on <a href="https://chrishancock.network">chrishancock.network</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: left;">Recently I mastered the new EP, <a href="https://www.beatport.com/release/drench/3116864" target="_blank" rel="noopener noreferrer"><strong>Drench</strong></a> for rising Australian Techno producer <strong>Lyndsay LeStrange</strong>.</p>
<p style="text-align: left;">The three track EP is released by German label, <strong>Black Snake Recordings</strong>, and was an interesting mastering job from a loudness perspective.</p>
<p style="text-align: left;">Despite many articles about the end of the loudness wars, many artist and labels are still requiring masters that have higher LUFS or RMS than those being quoted as the new standard.</p>
<p style="text-align: left;">There are many informative videos, such as <a href="https://youtu.be/ndJ7IY99jUU" target="_blank" rel="noopener noreferrer">Dave Pensado interviewing Maor Appelbaum</a> that suggest mastering is reforming and aiming for around -14LUFS, in line with streaming volume automation.</p>
<p style="text-align: left;">Personally, I&#8217;ve been loving new technologies such as the <strong>Meter Plugs&#8217; Loudness Penalty</strong> plugin which shows how much various streaming services will be turning your masters down by. For an online version of that plugin visit <a href="https://www.loudnesspenalty.com/" target="_blank" rel="noopener noreferrer">https://www.loudnesspenalty.com/</a></p>
<p style="text-align: left;">Despite such things, labels are still requesting masters in the realm of -8 RMS, or if you belong to certain worlds / genres, this can even go higher. Check out the RMS reading of the reference tracks provided for this latest mastering job.</p>
<p style="text-align: left;"><a href="http://www.chrishancock.network/wp-content/uploads/2020/09/Screen-Shot-2020-09-21-at-12.13.07-pm.png"><img decoding="async" class="alignnone size-medium wp-image-1691" src="http://www.chrishancock.network/wp-content/uploads/2020/09/Screen-Shot-2020-09-21-at-12.13.07-pm-300x166.png" alt="" width="300" height="166" srcset="https://chrishancock.network/wp-content/uploads/2020/09/Screen-Shot-2020-09-21-at-12.13.07-pm-300x166.png 300w, https://chrishancock.network/wp-content/uploads/2020/09/Screen-Shot-2020-09-21-at-12.13.07-pm-768x426.png 768w, https://chrishancock.network/wp-content/uploads/2020/09/Screen-Shot-2020-09-21-at-12.13.07-pm-705x391.png 705w, https://chrishancock.network/wp-content/uploads/2020/09/Screen-Shot-2020-09-21-at-12.13.07-pm.png 772w" sizes="(max-width: 300px) 100vw, 300px" /></a></p>
<p style="text-align: left;">Needless to say, the client is always right, and similar levels were obtained via the combination of a few industry standard limiters.</p>
<p>The post <a href="https://chrishancock.network/2020/09/21/nainiouman-dominion-2/">Mastering new EP by LeStrange for Germany Techno imprint Black Snake Recordings</a> appeared first on <a href="https://chrishancock.network">chrishancock.network</a>.</p>
]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
